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即使老,也要這樣活著。。。 A Work In Progress

四月的最後一個週六,我們去了洛桑的Fongdation Hermitage美術館參加導覽參觀Tour Visit, 欣賞Christo和Jeanne-Claude的Over the River圖畫展並享用晚餐。那是一個風和日麗但有點涼的傍晚,等待進館前我們躺在草地上,望著斜陽中的雲彩在天空飄浮;汽船在日內瓦湖裡遊動,週遭人們的嬉笑聲隨風而來又離去。。。不自覺中竟感受一股生動莫名的寧靜和幸福!
 

The Fondation de l’Hermitage is privileged to present an outstanding exhibition on Christo and Jeanne-Claude’s current artwork in progress, Over The River. Preparation for this creation, to be exhibited in summer 2012 at the earliest, started in 1992. The artists propose the horizontal suspension of 9.4 km of fabric panels in separate segments along a 64.5 km stretch above the Arkansas River, in the State of Colorado (United States). This stunning exhibition is part of a longstanding commitment of the Fondation de l’Hermitage to represent important figures in the world of contemporary art.

Christo and Jeanne-Claude: Over The River, a Work in Progress, an exhibition of more than 150 photographs, collages, drawings, and maps, will chronicle the artists process as they prepare to assemble and suspend massive silvery fabric panels horizontally over the Arkansas River in Colorado. Highlighting The Phillips Collections longstanding commitment to representing important developments in modern and contemporary art.

The Phillipss exhibition will trace the development of this ambitious project over the past 16 years by displaying the process and materials that will be used to accomplish the artistic and engineering feat. It will be accompanied by a catalogue, and the museum will also screen documentary films on the projects of Christo and Jeanne-Claude.

  
Christo和Jeanne-Claude同一天同一年出生(13/06/1935 Gabrovo-Bulgarie;Jeanne-Claude Denat de Guillebon,Casablanca-Maroc) 入籍美國,目前居住在紐約的SoHo.

  
2005年在紐約中央公園的創作:"The Gates" in Central Park。7,500個16英尺高的“門=gate” 配上紅色的布幔,展延在23 miles的路徑上。。。(觀賞影片時從路人的神情,可感受一份不可思議的“喜悅和驚奇”)今天B在Arte的電視頻道看到有關的紀錄片,勾起一種難以言語的激動,才想到進格子分享。

早在B高中畢業前,就已在台灣的藝術家雜誌上見聞過“Land Art”的報導。那時對Christo花龐大的財力人力物力,去實現“包裝”創作,就只有一句嗤之以鼻的“吃飽了太閒?”可以比擬!然而經過20幾年的海外生活,沒想到現在的B心中對它的評價卻會變得如此的迴異?!Christo夫妻倆人即使已經七十好幾,但對創作的執著卻仍神彩奕奕。他們不接受任何的捐助,也沒有助理(實地製作時才徴求義工參與,資金來自創作與延展商品的販賣),完全以自己的想像和雙手去構思和繪圖。讓美與世人同享,卻不在乎“它”短暫的存在有什特別的意義!

藝術就該是單純的心靈感動, 不是嗎? 藝術家何須承擔“花2千1百萬美元,展2星期”的各種評擊和非議?所謂的“值不值得”該如何考量?凡事如果只用物質去衡量,是否代表著“活得太用力”? 而生活的本身卻已忘了還有所謂的“感動”存底?一直被物質所“驅奴”而不自知? 美,無價;心的悸動即使短暫,美好依舊積存在靈性裡。。。其他的種種,最終還不都是過眼的雲煙和花絮?

  
"Wrapped Reichstag" in quickmotion - Christo und Jeanne-Claude - Berlin,Germany - Summer 1995

  
"Christo and Jeanne-Claude: the Barcelona Project", documentary by Felix Perez-Hita and Andres Hispano, Barcelona (2001). Christo and Jeanne-Claude at the MACBA lecturing about their work。

  
作品簡短紀錄-26 million dollars for The Umbrellas in Japan and California。

看過所有附帶的影片,您可有什特別的感觸? (英文文字的報導,攫取自網路)
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